Inspired by Ansel article on using new technology to create stronger Black and White images –Īrticle featuring techniques on compositing images – Professional Photographer Magazine web.ĪfterCapture Magazine article on extracting images using Adobe Photoshop Channels for placement into new scene. The article is written for photographers who work in small businesses.Īrticle in Professional Photographer Magazine sharing some ideas on creating artistic Fine Art Photography images that have a painterly feel. I was one of several photographers featured in an article in Shutter Magazine penned by Skip Cohen. This tutorial on photographing families in the ooutdoors is in Professional Photographer Magazine’s November issue. Cathedral Rock is the main feature in the background. Worked with a great family photographing them in front of the magnificent red rocks of Sedona. Bob’s articles have appeared in the pages of Shutterbug Magazine, Professional Photographer Magazine, Rangefinder Magazine and other industry magazines as well as authoring a couple of books for Amherst Media. Here are some images and links to articles written by Bob or about Bob for the photographic industry. Why? Because the longer I spent, the more I would see, and the more I felt comfortable in the environment-and maybe the more the environment felt comfortable with me.Bob Coates is an author and photography educator as well as photographer. I remember from the film days that my final picks were often frames 35 and 36. “I look for visual potential I plant myself there, and the longer I stay in a place, the stronger the work gets. “I don’t go out, find a shot, and move on,” Simon says. Better still, pick up the February issue and touch and feel your way through the piece. If you want to read the article in its entirety, you can view it here. (Each issue is only available online story by story, a while after it hits newsstands). That said, I still have to deem the content worth the price before I swipe my card.ĭan Havlik, formerly of Photo District News and Rangefinder magazines took over the editorship of and is creating a compelling hard-copy publication worth putting up five bucks for. There is something about the intimacy of holding a paper-based product in my hands that I appreciate differently from online information consumption. I am reminded of this whenever I visit airport book/magazine shops worldwide. Newspapers and magazines have huge challenges profiting in an era with so much free and strong content available, but print media is not dead yet. Ultimately that forces me to move forward, to get deeper into the story, and not shoot the same shot again and again.” “Creating a set of images,” Simon says, “forces me to tell the story of my passion to look at two images that are similar and choose the best one, the one that advances the story. I’ve known the writer Barry Tanenbaum for a few years now and I’ve respected his deep knowledge of and insight into the photography industry so I was happy to be interviewed. In the latest (February 2016) photojournalism-themed edition of Shutterbug Magazine is an article I wanted to bring your attention to.
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